As long as experimental evidence about the predictive value is not strong enough, the pure-tone audiogram should remain the gold standard for the assessment of NIHL. Finally, continuing education about the risks of intensive sound exposure to musicians, with the emphasis
on the possible development Tipifarnib nmr of tinnitus and hyperacusis and the need for good hearing protection (i.e. not only in the form of personal hearing protection such as ear plugs, but also on noise absorbing screens, and the importance of changing position in the orchestra) is warranted. Conclusions In summary, most musicians in this study could be classified as having normal hearing. Relative auditory thresholds were generally better than the normal-hearing reference group of ISO 7029 (2000) standard, except at 6 kHz, which clearly suggests an association with NIHL. Tinnitus, diplacusis, and hyperacusis were found more often than could be expected in the general population,
based on other studies. Diplacusis does not seem to have much impact learn more on the professional practice of the musicians, but tinnitus and hyperacusis can cause severe problems in professional and private environments. Also the prevalence of tinnitus and diplacusis are suggestive for the involvement of NIHL. Furthermore, to make a statement about the early diagnostic qualities of the otoacoustic emissions towards NIHL, there is a need for more data on the development of otoacoustic emissions over time. Acknowledgments The authors like to thank Miranda Neerings of the Academic Medical Center Amsterdam for her dedication and accuracy in testing the musicians and Olopatadine prof. J. Festen for giving us the opportunity to use the speech-in-noise-test developed by the VU university medical center. The AMC Medical Ethical Commission approved with this study. This study was supported by the Agency for Dutch Orchestras (Contactorgaan Nederlandse orkesten) Open Access This article is distributed under the terms of the Creative
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